Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. He made his first appearance at La Scala in Milan in 1954, as Licinio in Spontini's La vestale opposite Callas's Giulia for the opening of the 1954–1955 season. Artist Biography by Anne Feeney. [4] His father was a shipbuilder for the Italian navy and the family lived along the Adriatic Sea. [9][10], In the early 1970s, Corelli's voice began to show some signs of wear after years of hard use in a demanding repertory. Regulating the breath pressure, the tenor was able to reduce this sound while retaining the core of the voice in a diminuendo, or even a morendo on a high B-flat, the effect requested by Verdi at the end of 'Celeste Aida'. He was buried in Milan's Cimitero Monumentale. The occasion was an unprecedented triumph for both singers and made the front page of most of the New York newspapers. Publicity Listings Franco Corelli, whose ringing tenor voice and matinee-idol looks made him one of the top opera stars of the 20th century, has died in Milan. "[5] Corelli also learned by imitating the style and vocal effects of the recordings of great tenors like Enrico Caruso, Giacomo Lauri-Volpi, Aureliano Pertile, and Beniamino Gigli. Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor who had a major international opera career between 1951 and 1976. [1][11] He was briefly coaxed out of retirement for concerts in 1980 and 1981. His mother Natalina, his father Remo, his sister Liliana and his wild, exciting & very sympathetic brother Ubaldo "Bibi" will be brought to life, as Dario "Franco" Corelli was a family man from the start. [2] Later that season he sang Pollione in Bellini's Norma opposite Maria Callas in the title role. After their marriage, Loretta gave up her fledgling opera career to serve as her husband's business manager, secretary, public relations agent, cook, and English translator. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory , he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. Few tenors are as iconic as Franco Corelli. However, Corelli did tour extensively with the Metropolitan Opera in 1975, singing in performances in cities throughout the United States and in Japan. Roedd Franco Corelli (8 Ebrill 1921 - 29 Hydref 2003) yn denor Eidalaidd a gafodd yrfa opera ryngwladol fawr rhwng 1951 a 1976. [1], While singing at the Rome Opera, Corelli also made numerous appearances with other opera houses both in Italy and internationally. In 1958, just seven years after beginning his career, he … Born on April 8, 1921 in Ancona, he initially set out to follow in the footsteps of his father and studied naval engineering at the University of Bologna. Comedian/actor Tony Randall was also an opera expert and a huge Franco Corelli fan. Franco Corelli was created on Apr 8, 1921 in Ancona, Marche, Italy as Dario Corelli. It was the first time the two sang opposite one another and Callas immediately became an admirer of Corelli. Franco Corelli was born on April 8, 1921 in Ancona, Marche, Italy as Dario Corelli. Franco Corelli. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. He also appeared on the stages of most of the major opera houses in Europe and with opera companies throughout North America. There are 140 recordings on file in which Franco Corelli appears Order by composer (This "Discography" was generated by CLOR for THE COMPILER ) 1 1953(LI) - Carmen by Georges Bizet - Artur Rodzinsky* 2 1953(LI) - Carmen by Georges Bizet - Fritz Reiner* 3 1953(LI) - Norma by Vincenzo Bellini - … [1], During his early career, Corelli sang in a number of rare operas in which he triumphed including performances of Spontini's Agnes von Hohenstaufen in its Italian version, Agnese di Hohenstaufen, Handel's Giulio Cesare and Hercules, Prokofiev's War and Peace, and the world premiere of Guido Guerrini's Enea. With a rich and ringing spinto tenor voice and movie-star good looks, Corelli won a wide public following from early on his career. He was married to Loretta Di Lelio. [1], Corelli was born Dario Franco Corelli in Ancona into a family many have thought to have little or no musical background. Official Sites. [1] However, Corelli also had his admirers among several highly respected and notable critics, including Harold C. Schonberg of The New York Times, who once defended the expressive liberties taken by Corelli saying that his performance possessed "its own kind of logic".[2]. admin August 9, 2019 Biography Leave a comment. He was an acting professional, known for Angel Center (1987), The Getting rid of Fields (1984) as well as the Immigrant (2013). In later years, he maintained homes in New York and Milan and taught the occasional private pupil. Hy is veral bekend om sy spinto en dramatiese tenoorrolle in die Italiaanse repertorium en vir sy kragtige en passievolle sangstem. Franco Corelli, known as "golden thighs" to opera audiences, was one of the world’s leading tenors from his La Scala debut in 1954 until his unofficial retirement from the stage in 1976. 101, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchester und Chor der Deutschen Oper Berlin, "Franco Corelli, Italian Tenor of Power and Charisma, and Pillar of the Met, Dies at 82", FRANCO CORELLI PERFORMANCE ANNALS 1951-1981, The Stuff of Musical Myth Turns Up in the Flesh, Franco Corelli's biography at Opera Vivrà, History of the Tenor – Sound Clips and Narration, Franco Corelli in performance on Archive.org, https://en.wikipedia.org/w/index.php?title=Franco_Corelli&oldid=1000752594, Burials at the Cimitero Monumentale di Milano, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. [2] Opera News stated that Corelli's lowered-larynx technique "resulted in [a] cavernous sound even in high-flying passages, where it gained brilliance. This is the second part of a biographical tribute I have been working on. In 1961 he made his debut with the Deutsche Oper Berlin. He returned to La Scala in 1962, for a revival of Meyerbeer's Les Huguenots, opposite Joan Sutherland, and that same year appeared as Manrico in a lauded production of Il trovatore at the Salzburg Festival under Herbert von Karajan and opposite Leontyne Price, Giulietta Simionato, and Ettore Bastianini. Sites: Wikipedia. He was married to Loretta Di Lelio. Franco Corelli was born on April 8, 1921, in Ancona, part of a region of Italy that produced Beniamino Gigli, Mario Del Monaco, Renata Tebaldi and several other illustrious singers. Associated in particular with the spinto and dramatic tenor roles of the Italian repertory, he was celebrated universally for his powerhouse voice, electrifying top notes, clear timbre, passionate singing and remarkable performances. … Franco Corelli - Biography Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor who had a major international opera career between 1951 and 1976. He was an actor, known for Angel Heart (1987), The Killing Fields (1984) and Tosca (1956). Their marriage endured until Corelli's death forty-five years later. They began seeing each other romantically and married in 1958. 114, The New York Times, November 14, 1965, Pg. Other Works Explore books by Franco Corelli with our selection at Waterstones.com. The son of a naval engineer from the Adriatic port of Ancona, Corelli first intended to follow his father's trade. [5] Corelli studied with Melocchi himself only "sometimes. Corelli was born Dario Franco Corelli in Ancona into a family many have thought to have little or no musical background. Profile: Italian operatic tenor. He made his last opera appearance as Rodolfo in 1976 in Torre del Lago at the age of 55. [1] By 1960 his active repertory included some 30 roles including the title role in Giordano's Andrea Chénier, Turiddu in Mascagni's Cavalleria rusticana, Rodolfo in Puccini's La bohème, and the title roles in Verdi's Don Carlo and Ernani. His father was a shipbuilder for the Italian navy and the family lived along the Corelli was a charismatic tenor, largely self-taught, with an individual style that had both many fans and critics. Short Biography Franco Corelli (8 April 1921 – 29 October 2003) was an Italian tenor who had a major international opera career between 1951 and 1976. [6] The same year he appeared in operas with smaller opera houses throughout Italy and on the Italian radio. 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