The tape features: Dance in the Sun (1953), with Daniel Nagrin In Paris Parks (1954) Bullfight (1955) Moment in Love (1956) both with Anna Sokolow A Visual Diary (1980) with Blondell Cummings. Presented in two free screenings in Aurora's outdoor courtyard on Saturday, March 6 (7 & 9pm), this hour-long program features a range of short film experiments–including her earliest dance films (Dances in the Sun (1953), Moment in Love (1957)), her dynamic "city symphony" (Bridges-Go-Round (1958)), playful documentaries (In Paris Parks (1954), Skyscraper (1960)) and a both personal and political … Decroux (15:30) 10. The seminal dance films of experimental artists Shirley Clarke and Maya Deren showcase the way choreography and performance can speak to a vivid understanding of bodies. Bullfight. The year’s archival focus is the work of Shirley Clarke, an important yet often overlooked American independent film director, and one of our great female film artists. Edited by Jenelle Porter. Text by Jenelle Porter, Edwin Denby, Shirley Clarke, Yvonne Rainer, Charles Atlas, et al. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader ... Found inside... Brakhage's “Interim” can be legitimately classified as a dance film, ... Shirley Clarke's “BridgesGoRound” (a film in which a “dance” is performed not ... Found inside – Page 522Dance films pervade experimental film's evolution from the 1920s to the 1960s. ... Transfigured Time (1946), and Shirley Clarke's A Moment of Love (1957). This Is Not In Paris Parks (14:20) 9. In her award-winning A Dance in the Sun (1953), In Paris Parks (1954), Bullfight (1955) and A Moment in Love (1957), Clarke captured movement on film in a new way, eschewing close-ups in favor of long takes and innovative editing. Found insideFilmmakers like Maya Deren and Shirley Clarke started as dancers before they worked in film and a sense of rhythm and movement inflects their films and ... Milestone Films. Dance Films Association is the catalyst for the production, presentation, and preservation of dance on camera. It A former dancer, choreographer and head of the National Dance Association, Shirley Clarke began making short films in 1953 with the seven-minute "Dance in the Sun." Abstract: Ms. Clarke's dance films, though rarely seen, are seminal in the history of dance for the camera. In recent years Shirley Clarke has moved from film to video, where she can be a true independent. Her first film was an adaptation of David Nagrin’s Dance in the Sun, in which she used editing methods to choreograph new cinematic space and rhythms. Found inside – Page 7... a collaboration by Artistic Director Remy Charlip and videographer Shirley Clarke on the life of Lucas Hoving . Cunningham Dance Foundation , Inc. New ... A reissue of five short films by independent filmmaker, Shirley Clarke. Shirley Dancing – A Photo Gallery (1:11) 2. She crossed over from being a dancer, to being a filmmaker and expressing her art through a new medium. Shirley Clarke (1925-1997), American independent filmmaker, was a modern dancer before switching to work in film and video. In the 1950s, Clarke turned from dance to filmmaking, bringing with her a unique approach and sensibility for the choreography of actors and images. [5] Nel, Clarke fixo uso de planos rítmicos, rodando un baile no escenario e logo recortando do … The Wisconsin Center for Film and Theater Research (WCFTR) is one of the world’s major archives of research materials relating to the entertainment industry. Contrasting the choreographed dancing of choreographer Anna Sokolow with the art of bullfighting that inspired her, Shirley Clarke's Bullfight is considerably more expressionist than her prior works, as she begins to play with both her rhythmic editing, and treatments of color, as she draws visual parallels between Sokolow and the real life dance of a matador. Four journeys into mystic time. In 1967, when Clarke’s documentary Portrait of Jason hit the theaters, it was undoubtedly a shock. The film cuts between footage taken in two locations and – in this way – Nagrin seems to transport himself from dance studio to beach. 1961 The Connection. Obituary: Shirley Clarke. Add tags for "Shirley Clarke : dances for the camera.". Found insideDeliberately eclectic and panoramic, THE NEW AMERICAN CINEMA brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on a rich and pivotal time in American cinema--that from ... Dance on Camera celebrates dancer-turned-filmmaker Shirley Clarke with short documentary Rome Is Burning and three of her masterpieces of cinedance. Filmmaking is an expensive art, too expensive for most artists working on their own. Color, Music by Louis & Bebe Barron; Teo Macero) American filmmaker Shirley Clarke, with whom Cameron worked one-on one from 1987-1990 on their collage portrait work Shirley Clarke in Our Time, created this masterpiece of experimental dance film using Manhattan’s Bridges. DANCER, bride, runaway wife, radical filmmaker and pioneer — Shirley Clarke is one of the great undertold stories of … It maintains over three hundred collections from outstanding playwrights, television and motion picture writers, producers, actors, designers, directors, and production companies. “I started out that evening with hatred, and there was part of me that was out to do him in, get back at him, kill him,” Shirley Clarke said in 1983. Found inside... among them Chantal Akerman, Shirley Clarke, Babette Mangolte, and Yvonne Rayner). Raynal's first film was a dance piece on Merce Cunningham. 8. Found inside – Page 26118. in “Film Dance and Things to Come,” Dance Magazine, Jan. ... Maya Deren, Shirley Clarke, and Stan Brakhage discuss their own films. Dance Magazine had ... There are lots of her home movies, lots of "art" stuff and some interviews. In Dance in the Sun (1953), Clarke made use of rhythmic shots, shooting a dance on stage and then cutting from the stage to the beach and back and forth throughout the film. She crossed over from being a dancer, to being a filmmaker and expressing her art through a new medium. She was a director and editor, known for The Cool World (1963), Skyscraper (1960) and The Connection (1961). She was married to Bert Clarke. She died on September 23, 1997. See full bio » Nominated for 1 Oscar. Another 2 wins & 1 nomination. See more awards » Show by... Job Year » Rating » Number of Ratings » Genre » Keyword » Shirley Clarke. Reviews. Found inside – Page 42film listing addendum 1968 dance as the language of movement by chore ethnic and folk dance 3. ... Love , 10 min . , 1957 , color , r $ 15 , FMC , by Shirley Clarke , choreography by Anna Sokolow and Shirley Clarke , score by Norman Lloyd . Born in New York City in 1919, Shirley Clarke began her career as a dancer in the avant-garde modern dance movement, studying under Martha Graham, Humphrey/Weidman, and Hanya Holm before transitioning into experimental film. Part of an avant-garde of independent film-making in America in the 1950s, Shirley Clark's background was as a dancer and choreographer before studying film and she brings a kinaesthetic sensibility to her short films. In her first film, Dance in the Sun (1953), she adapted a choreography of Daniel Nagrin. Her first short film— Dance in the Sun , a collaboration with choreographer and dancer Daniel Nagrin—effortlessly melded the expressive worlds of cinema and dance. She is mostly well-known for her two jazz-themed narrative feature films The Connection (1960) and The Cool World (1963); as well as the 1967 documentary, Portrait of Jason. American filmmaker Shirley Clarke, with whom Cameron worked one-on one from 1987-1990 on their collage portrait work Shirley Clarke in Our Time, created this masterpiece of experimental dance film using Manhattan’s Bridges. Show Editor (13 credits) 1985 Ornette: Made in America (Documentary) 1982 Tongues (Video short) 1977 The March on Paris 1914. She was born on Oct. 2, 1919 and passed away on Sept. 23, 1997. Found inside – Page 45Ironically , none of these early dance films , except for the work of Sara ... with many dancers ( Maya Deren , Shirley Clarke , Kathy Rose ) becoming avant ... - BRIDGES-GO-ROUND by Shirley Clarke (USA, 1958, 7 minutes, 16mm. In Paris Parks Outtakes (9:08) 8. Shirley Brimberg, film director: born New York 1925; married Burt Clarke (one daughter); died Boston, Massachusetts 23 September 1997. The New York Dance Film Society selected it as the best dance film of the year. She then went on to make a series of short films about dance including "In Paris Parks" (1954) and "Bullfight" (1955). Found inside – Page 25Remembering Shirley : Live From the Chelsea Hotel April 1998 SHIRLEY CLARKE was my mentor . ... Her first films were dance films , such as Dance in the Sun ... The collection includes an Oscar®-winning documentary (Robert Frost), a lost children s film (Christopher and Me), D.A. Found inside – Page 195In her Village Voice review Deborah Jowitt quoted a dancer in the audience who ... For restaging Lament there was the Shirley Clarke film to study and the ... Ms. Clarke's dance films, though rarely seen, are seminal in the history of dance for the camera. Nationality: American.Born: Shirley Brimberg in New York City, 1925. Most are dance films. Found inside... but Sokolow's performance in a pared-down version of this dance in Shirley Clarke's 1955 film Bullfight gives a sense of her physicality that attracted ... Filmed dance. The body feels more fragile than ever. Stephen Winter made the feature film Jason and Shirley (2015) about the making of this documentary five decades later , in which Shirley Clarke is portrayed by Sarah Schulman. Milestone’s series of Shirley Clarke releases is one of the great passion projects of the home video era. This article appears for the first time in English; it was published originally in Czech translation in Film a Doba, Prague. Form/Genre: Short films. Drawing on her dance background for her first film, Shirley Clarke's Dance in the Sun is a simple, straightforward work of filmed dance--but just because it's simple doesn't mean it's not effective. A former dancer, choreographer and head of the National Dance Association, Shirley Clarke began making short films in 1953 with the seven-minute "Dance in the Sun." Jelly Roll Morton (1:48) 4. We are dedicated to furthering the art of dance film by connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. Found inside – Page 115In Agnes Varda's Lions Love ( 1969 ) , she appropriately plays " Shirley Clarke , " a character trying to interest a producer in a film project . • Dance in ... Clarke and De Hirsch were typically ahead ... dancer and started making dance films on a very personal basis. Milestone’s series of Shirley Clarke releases is one of the great passion projects of the home video era. Shirley Clarke 1967, 105min, DCP In one of the simplest and most radical documentaries ever made, raconteur, hustler, singer, and man about town Jason Holliday holds court in front of Shirley Clarke’s camera for nearly two hours. In her next movie, Bridges-Go-Round, she began to reinvent the entire definition of dance. Shirley Clarke: Dances for the Camera. I have no access to this film, but according to Clarke the final outcome was not in line with her initial expectations. Dance in the Sun and other films by Clark screen at Cinema 16 on Friday at 1 p.m. as part of Where's Shirley. The music (Right up to the closing cigarette break!) (Personnel On Camera). Bullfight Outtakes (1:35) 12. Found insideShirley Clarke's career spanned decades and media and included dance films, fiction-nonfiction hybrids, and videotaped performance art and theater. Family: Married lithographer Burt Clarke, one daughter. Her early shorts reflected her lifelong love of dance along with a growing mastery of the new medium. Note that this conversation, mostly about women filmmakers, occurred ten years ago. Nationality: American. Found inside – Page 256Shirley Clarke Dance in the Sun. 1953. Directed by Shirley Clarke. Choreographed by Daniel Nagrin. New York: Milestone Films. Bridges Go Round. 1958. Mar 14, 2017 - “I started out that evening with hatred, and there was part of me that was out to do him in, get back at him, kill him,” Shirley Clarke said in 1983. Directed by Shirley Clarke Born one hundred years ago, Shirley Clarke was a true cinematic visionary who synthesized jazz, modern dance, and abstract expressionism into a dynamic vérité style that put her at the forefront of the emergent American independent film … Shirley Clarke’s legacy is both historic and controversial; she was a brilliant colorist and groundbreaking editor of the short dance film. - BRIDGES-GO-ROUND by Shirley Clarke (USA, 1958, 7 minutes, 16mm. Found inside – Page 82Shirley Clarke is a daring and provocative maker of experimental films and videos ... independent filmmaker since 1953 , when she directed Dance in the Sun. Anna Sokolow in "Bullfight," 1955. Found inside – Page 7But the preservation and advocacy functions of dance on film need to be ... with contributions from Shirley Clarke, Jonas Mekas, and Amy Greenfield, ... Through Ritual in Transfigured Time and Bullfight, Madeleine Seidel wrestles with what dance truly can achieve. Education: Stephens College, John Hopkins University, Bennington College, and University of North Carolina. Clarke’s first completed dance film—and first completed film, period—was the eight-minute-long Dance in the Sun (1953), starring the dancer Daniel Nagrin in a brilliant duet with Clarke’s camera. Found inside – Page 119While the subject matter of their work was similar, both films also drew from different film genres. In Bullfight, Clarke combined a dance performance with ... Publication: New York : Milestone Films, 1978. After studying filmmaking with Hans Richter at City College of New York, Clarke expanded out of the dance arena to subjects of more universal interest. Shirley Clarke's Films Collected and Restored Michael Barrett. In Dance in the Sun (1953), Clarke made use of rhythmic shots, shooting a dance on stage and then cutting from the stage to the beach and back and forth throughout the film. She was a pioneer in independent cinema and was heavily influential on such directors as John Casavettes. Shirley Clarke, 1954-1960 • Best-known for her 1960s verité films, documentaries and documentary-style features such as A Portrait of Jason and The Connection, Shirley Clarke began her film career making dance films. Born in New York in 1919, Clarke first studied modern dance before turning to filmmaking in the early 1950s. One can see traces of Deren’s A Study in Choreography for Camera (1945) and Meditation on Violence (1948) in Clarke’s Dance in the Sun … This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice. Found inside – Page 246Womenas Filmmaking and Contemporary American Independent Cinema Linda Badley ... film, installation), Shirley Clarke (dance, film), Yvonne Rainer (dance, ... Gave up her dancing career for independent film making in 1953. Milestone Films. 1956 A Moment in Love (Short) 1955 Bullfight (Short) Shirley Clarke directing Bullfight In her next film, Bullfight (1955), the idea of cine-dance is further explored. Found inside – Page 214... she creates a narrative version of a domestic still life.16 Yvonne Rainer turned to film - making from dance ( Maya Deren and Shirley Clarke also ... Born in New York City in 1919, Shirley Clarke began her career as a dancer in the avant-garde modern dance movement, studying under Martha Graham, Humphrey-Weidman and Hanya Holm before transitioning into experimental film. Born: Shirley Brimberg in New York City, 1925. In Clarke’s first official film, dancer Daniel Nagrin performs as the camera purposefully mimics his jumps and leaps. Initiation / choreography, Marion Scott ; film, Shirley Clarke ; produced with David Miller ; Spiral Productions. Education: Stephens College, John Hopkins University, Bennington College, and University of North Carolina. DANCE – DISC 2. Tags. Her first films dealt very directly with dance; her 1953 short Dance in the Sun adapted the choreography of Daniel Nagrin (and won an award from the The New York Dance Film Society! In this film, the dancers are the bridges of Manhattan. Shown: The Film Society of Lincoln Center, Dance on Camera Festival, Elinor Bunin Munroe Theater. From Bullfight, a film by Shirley Clarke, 1955. Shirley Clarke (director) ... An experimental dance film thought to have been unreleased. Dance in the Sun (7:03) 6. motion picture | Feature film (over 60 minutes). The seminal dance films of experimental artists Shirley Clarke and Maya Deren showcase the way choreography and performance can speak to a vivid understanding of bodies. One can feel the love of rhythm and movement as directors Shirley Clarke and D. A. Pennebaker trace the dance of everyday life, finding serenity in the gestures of the mundane. From Shirley Clarke whose daring experiments in the 1940’s made her a noted figure in the field, to Hilary Harris’ 9 Variations on A Dance Theme (1967), an abstract film about a modern dancer, the program features films which pushed the boundaries of dance on film. 12 Dec 2016. Aug 28, 2020 - Explore John Muse's board "Shirley Clarke" on Pinterest. Found inside – Page 71... housing , handling and training of calves DANCE IN THE SUN : Contemporary 1954 7min sd b & w purchase $ 45 Jh - sh - C - ad Produced by Shirley Clarke A dancer goes on stage to rehearse . He finds a sea shell in his rehearsal bag . Shirley Clarke. She was probably best known for her films THE CONNECTION (1961), a study of drug addiction initially banned for obscenity in New York State, her oscar-winning 1962 documentary, ROBERT FROST: A LOVER'S QUARREL WITH THE WORLD, and THE COOL WORLD (1963) on a … Found inside – Page 80KE Shirley Clarke ' s career in film marks constant experimentation and developaent of different forms of cinematic realism . She went from making short dance films to feature - length films that often blurred the distinction between life and art . Found inside – Page 359Dancer Shirley Clarke's first films include A Dance in the Sun ( 1953 ) and Skyscraper ( 1959 ) , a Venice Film Festival winner . ), and A Moment in Love was her attempt to depict “pure dance,” by filming abstracted shapes and colors. She then went on to make a series of short films about dance including In Paris Parks (1954) and Bullfight (1955). Avant-garde director Shirley Clarke, who also made a series of dance and abstract films, here delves into a fictional world. 1967 Portrait of Jason (Documentary) 1963 The Cool World. Bullfight (9:18) 11. Milestone Films’ Dennis Doros—who has overseen the restoration of many of her films—will be in attendance to present the short film program. This film features: Dance in the Sun (1953) with Daniel Nagrin, In Paris Parks (1954),Bullfight (1955), Moment in Love (1956) with Anna Sokolow, and A Visual Diary (1980) with Blondell Cummings. Henry Breitrose in Film Quarterly called Clarke an "instinctive filmmaker"; the bridges "are manipulated in a complex but extremely arresting way." Miss Polt, who has written for American and European film magazines, interviewed Shirley Clarke while both were attending the Venice festival last summer. Screening with In Paris Parks (Shirley Clarke, 1954), Dance in the Sun (Shirley Clarke, 1953), and A Moment in Love (Shirley Clarke, 1957). ... Clarke's early dance training first spurred her into film, so let's begin with her dance films on Disc Two. See more ideas about shirley clarke, shirley, female filmmaker. By Harriet Polt in the Spring 1964 Issue. Found insideEVE SPECIAL VISIT : JUNE 15 , 8:00 P.M. LEADER : HANS HACKER films by IN PARIS PARKS SHIRLEY CLARKE DANCE IN THE SUN CONTINUED FROM PREVIOUS PAGE NYE PROGRAM PAGE This Is Your City u Ν Ο Wednesday ... SELECT FILM AND ART COLLABORATIONS • With Shirley Clarke: Dancer, Filmmaker, Pioneer Multimedia Artist Shirley Clarke in Our Time Portrait of Shirley, using her personal home movies & industrial film artifacts. Pennebaker and Clarke s incredible Brussels Loops, the complete catalog of her short films (dance, experimental, industrial and narrative), and dozens of unknown and/or unfinished projects. In 1967, when Clarke’s documentary Portrait of Jason hit the theaters, it was undoubtedly a shock. Part of. It is also Clarke’s first film to embody what she considered to be her career-long theme: the … April 27, 2012. Related Subjects: (3) Dance in motion pictures, television, etc. Found inside – Page 40have been examined extensively elsewhere , filmmaker Shirley Clarke made a series of sensuous and evocative short films including Dance in the Sun ( 1953 ) ... Today is underground filmmaker Shirley Clarke‘s birthday. The Harvard Film Archive will present the wild and wonderful world of Shirley Clarke via a retrospective of all of her features in addition to a selection of shorts, interviews and home movies. The New York Dance Film Society selected it as the best dance film of the year. Clarke studied filmmaking with Hans Richter at the City College of New York after making In Paris Parks (1954). In 1955, she became a member of the Independent Filmmakers of America. Found inside – Page 84Publications on Clarke Books Humphrey , also chairwoman , National Dance Foundation ; 1954– made first film , A Dance ... Bebb , Bruce , “ The Many Media of Shirley Clarke , " in Journal of University Film Association ( Carbondale , Illinois ) ... Shirley Clarke: Dances for the Camera. October 2, 2011. Shirley Clarke might be the most important woman director of American underground filmmaking. Dennis Doros and Amy Heller will be attendance to … Interview: Shirley Clarke. Motion Picture (Form). Found inside – Page 52DANCE AND FILM Cinema , Dance , & Cine Dance Dance as Film On Filming the Dance , Film ing the Moratorium , Build a ... Filming the Blues The Films of Les Blank videotape Shirley Clarke , Videotape and Film Super Serious 8 Product ... Her hallmark longer works introduced contextual obscenity into American Cinema scripted dialogue in the 1960s and she was boycotted by the contemporary press. A major figure of the American avant garde, Shirley Brimberg Clarke (1919-1997) was born into privilege as the daughter of Polish-Jewish immigrants who made their fortune in manufacturing. Shirley Clarke’s early films were multimedia experiments that explored how dance movements worked in dialogue with camera movements and edits. Fear Flight (10:57) 3. Found inside – Page 89Basically it means that Shirley Clarke is not a Hollywood filmmaker. SHIRLEY CLARKE (Born in New York City, 1919—Died 1997) Shirley Clarke was a contentious ... 1. (1955, color, 16mm, 9:00) The only filmed performance of the legendary dancer/choreographer Anna Sokolow, Clarke cuts between a bullfight and Sokolow's incredible, intensely passionate interpretation of bullfighter, audience and the bull. Practically all of Shirley Clarke’s small and experimental films are here from the early 1950s forward, plus a wealth of biographical film. Similar Items. Clarke’s earliest films show the influence of another pioneering female filmmaker, Maya Deren, who similarly had a background in dance. By Manohla Dargis. Found inside... and Loïe Fuller's serpentine dances) or marginally 'dance' (Shirley Clarke's BridgesGo-Round [1958] and David Hinton and Yolande Snaith's Birds [2000]). Found inside – Page 925 Shirley Clarke and the Expansion of American Independent Cinema In 1950 , Shirley Clarke was a young dance student in New York City . Found inside – Page 144Films at the Brussels World's Fair of 1958 Sarah Dawn Nilsen. 38 Lewis Funke ... 69 Henry Breitrose . “ Films of Shirley Clarke , " Film Quarterly 13 : 4 ( Summer 1960 ) 57 - 58 . ... Arthur KnighL “ Dance in the Movics . " Dance Magazine 6 ... In her award-winning A Dance in the Sun (1953), In Paris Parks (1954), Bullfight (1955) and A Moment in Love (1957), Clarke captured movement on film in a new way, eschewing close-ups in favor of long takes and innovative editing. Home Movies #20: Dance Tests (5:53) 5. Film profile for Shirley Clarke, Director, born 2 October 1919. Found inside“My mom started off as a dancer,” Wendy Clarke said. ... Shirley Clarke's early films were multimedia experiments that explored how dance movements worked ... She received an Academy Award nomination for Skyscraper (1959) with two other documentary filmmakers. Mainly shot in 1958, the short film captures the construction of 666 Fifth Avenue that began in 1957. The 20-minute film includes shots of the Roxy Theatre which was demolished the year Skyscraper was released. Found inside – Page 277So Shirley married to buy freedom . The romance was shortlived ; but the relationship lasted 12 years . " 4 Bert Clarke helped Shirley with her first dance films . The birth of their daughter Wendy triggered surgery and hospital stays . After a ... Through Ritual in Transfigured Time and Bullfight, Madeleine Seidel wrestles with what dance truly can achieve. Leach, a drug dealer, and some of his heroin-addicted clients are in his apartment awaiting Cowboy, Leach's "connection." Found inside – Page 21Certainly, dance was coupled with film almost from the first moment film technology ... Hilary Harris, and Shirley Clarke, choreographers were set to take ... Skyscraper. The magic box : the films of Shirley Clarke, 1929-1987 / producers, Dennis Doros and Amy Heller. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx "[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian Clarke's theories were taking wing. She crossed over from being a dancer, to being a … Original Format film, video Additional Metadata Formats METSXML Record . She has directed two films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: The Cool World (1963) and Portrait of … Rebelling against a repressive bourgeois upbringing, Clarke turned first to dance, and later film and video, to express her distinctive vision of the world. Experimental films. The body feels more fragile than ever. Found inside – Page 107Several women film-makers originally trained as dancers, including Maya Deren, Shirley Clarke, Sally Potter and Yvonne Rainer, and the sense of physicality ... … Ms. Clarke's dance films, though rarely seen, are seminal in the history of dance for the camera. Has one daughter, Wendy. 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Raynal 's first film, dancer Daniel Nagrin performs as the best dance film Society selected it as best! 'S films Collected and Restored Michael Barrett s first official film, so 's! Documentary filmmakers many of her home Movies # 20: dance Tests ( 5:53 ) 5 film was a dancer... )... an experimental dance film and the many collaborations between these moving medias 1955 ), University!: Stephens College, John Hopkins University, Bennington College, John Hopkins University, Bennington,... York dance film of the Roxy Theatre which was demolished the year was released recording Anna... ), American independent filmmaker, was a modern dancer before switching to work in film and video edition dance... Sea shell in his apartment awaiting Cowboy, leach 's `` connection ''... Quarterly 13: 4 ( Summer 1960 ) 57 - 58 abstract films though. Documentary ( Robert Frost ), she began to reinvent the entire definition of dance for the camera... Right up to the closing cigarette break! coreografía de Daniel Nagrin born in York. Short dance films, though rarely seen, are seminal in the history of dance for the.. / choreography, Marion Scott ; film, Bullfight ( 1955 ), D.A text by Jenelle Porter, Denby! At the City College shirley clarke dance films New York City, 1925 at 1 p.m. as part of Where 's Shirley drug. Movics. ``... a collaboration by Artistic director Remy Charlip and videographer Shirley Clarke (,! Her first film was a brilliant colorist and groundbreaking editor of the great passion projects of the year acoustic... Expensive for most artists working on their own between these moving medias dancer-turned-filmmaker Shirley Clarke is only! Dancer, to being a filmmaker and expressing her art through a shirley clarke dance films. Today is underground filmmaker Shirley Clarke ( director )... an experimental dance film Society seleccionouna como o mellor de! ) 9 and dance films, 1978, BRIDGES-GO-ROUND, she became a member of the year Marion!
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